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Experimental Mechanics Research
Project Description: Development of a walking machine. Several leg or leg-like mechanisms
acting in a coordinated way to move the object forward.
So I start. With a bendy leg mechanism, hip, knee, elasticized
foot movement for stabilty and simple shock absorbtion. A single
demonstration leg seems to make sense. Movement as it's driven
is nice, cams and pinioning motions, the right sort of lifting
action. Thus onward to a complete mock-up. A version with more
legs however fails, not enough power in the mechanism even to
hold its own weight. Structural changes, lighter materials, differering
the profiles of the stock used, none of it helps.
I deduce that the machine, in this style, is simply unbuildable.
So back to the drawing board. This is the stuff of invention I
surmise, attempt, fail, redesign, adapt, rebuild. Repeat until
success is apparent. I channel the spirit of Edison, one of the
greatest inventors of the modern age, the inventor of mono sound;
I study the biomechanics of an insect in its simplicity; I peruse
learned books of great antiquity and freshly minted tomes of the
latest state-of-the-art knowledge of cybernetic systems. A simplifying
process sweeps over the design, a counterbalancing complexification
of control, then a revision of design based upon strenuous calculations
leads to massive simplicities crystalising out of the apparent
nonsense.
Once again, a single leg is built as a demonstration, the motions
are simpler but finer, the mechanisms lighter, more elegant. It
moves beautifully, the rigours of a more complete analysis paying
off. But once again the complete mechanism fails, the materials
revolt against me and leave me in a mess of failed visions and
optimistic physics.
No, it is my methods that are at fault. I am not the paper-design
genius that I want so much to be, the architect planning massive
contructions from a desktop pad with a pencil grasped in one sweaty
hand. No, I must learn to know my materials, I must plunge into
the Pauli Exclusion Principle world of real physical objects,
I must discard my draughtman's table, I take a leap into the sweaty
real world of tensile strengths measuresd using real gauges and
my fingers, not theoretical measures obtained from voluminous
tomes of tables and listings of all known physical parameters.
The design process becomes a cluster of small changes made directly
to the apparatus, the plan is unclear, but as a swarm of industrious
bees with no apparent plan can build a nest of surprising complexity,
so too do the changes, apparently random, begin to take on a seemingly
purposeful bent. The combined intelligences of my materials and
my hands seems to be leading me on toward something I cannot yet
frame in my minds eye, yet I perceive a plan.
With a start, I realise the last move I will need to make, the
final repetitions of changes, so I take a quick pause to peruse
my work so far and try to understand where I am going. I see the
effect that my last move will make, I am surprised and I decide
to lay my tools aside. For good.
I have rediscovered the wheel. |
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